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Champagne & Chandeliers

by Art Vandalay

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1.
Traffic 03:33
Traffic lights in the city Turn from green to yellow And them cars, in the left lane Swerve into the right Where everybody knows you take it slow and smell the roses And take it easy Take it slow Take it easy, yeah Oh yeah Gospel choirs they sing out On Sunday to save your soul But all that time spent down on your knees Ain’t gonna get you through them gates of gold Like hearin’ them bells toll When you’re makin’ love Real… slow And take it easy Take it slow Take it easy, yeah Oh yeah [solo] The tortoise caught up with the hare Eventually in time Now he’s smokin’ a cigarette As that rabbit crawled across the line Shakin’ his head he couldn’t figure out How he got left behind… Take it easy Take it slow Take it easy, yeah Oh yeah And take it easy Take it slow Take it easy, yeah Oh yeah
2.
Architects 04:54
Champagne and chandeliers Swingin’ from a sinkin’ ship All the thieves in the captain’s hull they’re tightening their grip With white knuckles on the wheel and blindfolds over their eyes Ain’t nobody in the right frame of mind gonna drive, at night, like that Oh the architects, spin their pirouettes Build their castles of iron and glass To draw, lines, in the sand You’re either on the right side or the wrong You’re either weak or you’re strong But which side Which side Which side do you fall? There’s blood on the tracks And smoke crawlin’ over the trees Ain’t a trace of a body or a clue at the scene Where the architects place their twisted bets Build their wars with wire and wood To see, which side, you stand You’re either on the right side or the wrong You’re either weak or you’re strong But which side Which side Which side do you fall? Now the chandeliers, shattered on a sunken ship Scattered to pieces and shards Where the architects Dancin’ in their silhouettes Cast by the glow of the cities they burned You’re either on the right side or the wrong You’re either weak or you’re strong But which side Which side Which side do you fall?
3.
4.
Some people go to Nashville And others get burned It’s a roll of rough luck And hard lessons learned You can stare into the bright lights Keep your cool But are you hangin’ on or burnin’ out While playin’ everyone for a fool If I never see you again If I never see you again If I never see you again….. That’ll be too soon Drunk drivers survive Cheaters always win They’re hear and gone, got no idea Of the damage that they did Well you sold us all your snake oil It was a cheap charade Left us standin’ next to the emperor Naked in the shade If I never see you again If I never see you again If I never see you again….. That’ll be too soon After the nights pass Water’s flowing under the bridge The thought of you won’t push me Right up, to the edge If I never see you again If I never see you again If I never see you again….. That’ll be too soon If I never see you again If I never see you again If I never see you again….. That’ll be too soon That’ll be too soon That’ll be too soon
5.
Back Again 04:00
Losers and winners Saints and sinners I’ve been ‘em all I been ‘em all There’s a way out Sure as there’s a way in Oh great escapes Never turn out as planned I done it before, I done it before I’d do it all over again If I knew (if I knew) This is how it’d end Back in your lovin’ arms Back in your lovin’ arms Back again Fallin' trees in the forest never make a sound Oh love is lost, right before it’s found I been down before, I been down before And I’d do it all over again If I knew (if I knew) This is how it’d end Back in your lovin’ arms Back in your lovin’ arms Back again Night drivin’s when you get some thinkin’ done Got the radio low and your high beams on I been drivin’ in darkness, I been drivin’ in darkness To get home to you And I’d do it all over again If I knew (if I knew) This is how it’d end Back in your lovin’ arms Back in your lovin’ arms Back again
6.
Slow Burn 05:11
Don’t say too much I look at a glance My steps, they’re cool and calm I’m lightinin’ Without The thunder in the clouds I’m flyin’ Under your radar And you don’t suspect a thing No you don’t, suspect, a thing…. I’m a slow, slow, slow burn I’m a slow, —-ohhhhow, burn I’m a slow burn and you don’t stand a chance I’m dynamite With a long…..fuse I’m venom, venom in your veins And I am, the one to blame And I am…., the one…. to blame I’m a slow, slow, slow burn I’m a slow, —-ohhhhow, burn I’m a slow burn and you don’t stand a chance I’m a cold sweat Comin’ Down your spine You don’t know What to expect But you know, what I imply But you know…. what I imply….. I’m a slow, slow, slow burn I’m a slow, —-ohhhhow, burn I’m a slow burn and you don’t stand a chance
7.
She sings every Saturday in a New England pub To a crowd that just doesn’t care To them she sings backup to their pitchers of beer As she sings of love and despair Under these lights in her blue jeans and boots She sings in cliches disguised as truth As the boys at the bar go blind from their drinks ‘Cause that whiskey it burns, like roses and thorns But she’s savin’ their souls And to some these songs, they don’t mean a thing To some, they mean everything They can save a life, get a man, to dance with his wife Oh it’s all…… in the eye,,, of the beholder The guitar she plays is scratched and worn The case it smells like the miles she’s torn Her strings ring out like gold To a man beyond The lights who swears She’s singin’ only to him And to some these songs, they don’t mean a thing To some, they mean everything They can save a life, get a man, to dance with his wife Oh it’s all…… in the eye,,, of the beholder And the bartender knows her by name Pours her drinks with a smile and wave And he loves her Like a daughter That he lost In, the war…….. Her songs, smooth out the edges Drag a smile across his face As she pours her heart out, bleeding on stage He remembers those nights Alone in the lights When he was doing the same And to some these songs, they don’t mean a thing To some, they’re an answered prayer They can save a life, get a man, to dance with his wife Oh it’s all…… in the eye,,, Oh it’s all…… all in the eye… It’s all….in the eye...of the beholder
8.
Baby if you love me You can buy me a Rockmount The kind with the diamond shaped pearls Like your eyes We can ride off in the sunset When the day breaks in half Like a couple of lovers who came in last I’d hang you from my arm And stitch you to my sleeve Knowin’ I could love you more than anything Baby, if you love me Baby, if you love me Baby, if you love me you’ll buy me a Rockmount Maybe if you love me You could buy me a Rockmount The kind with the roses sewn across the chest I can see you’re tumblin’ and driftin’ Like a shaky decision And your eyes, they’re drifting to the left I know our love it may be lost But it surely can be found Between the snaps And seams Baby, if you love me Baby, if you love me Baby, if you love me you’ll buy me a Rockmount Baby, if you hate me You can buy me a Rockmount The kind with the silver threads Like your clouds Bury me with a smile Under the dirt If you send me to heaven In a Cadillac of a shirt If money can’t buy you love It’ll get you what you need To take, my love, from me Baby, if you love me Baby, if you love me Baby, if you love me you’ll buy me a Rockmount Baby, if you love me you’ll buy me a Rockmount

about

"a sonic feast" - The Norman Transcript

"music that can only be described as timeless" - Duluth News Tribune

"well-crafted folk-rock, at times pure mellow magic” - Twin Cities Daily Planet

Art Vandalay blends the classic roots sounds of The Band and the modern indie sounds of Chuck Prophet and The Black Keys, the album is raw Americana rock with songs that are “impossibly catchy” (Duluth News Tribune).

Capturing that retro rock sound, Champagne & Chandeliers is the perfect companion to a late-night drive, taking the long way home. The songs explore the choices made at every crossroads and how life speeds up and slows down--from the slow groove of “Traffic” to the rocking closer “If You Love Me.” Lauded for his timeless songwriting, Brandon Henry shines on songs like “Architects” and the instant classic “Never See You Again” (co-written by Henry and Seattle songwriter Jaspar Lepak).

These, along with all the other tracks on the album, have been a staple of Art Vandalay’s live shows, including their swampy cover of “Angel and Delilah” -- written by folk singer Eliza Gilkyson.

Together these songs show what Art Vandalay has become known for along the I-35 corridor -- smart songs, great grooves and a raw energy that evokes the early days of Tom Petty.

credits

released August 20, 2021

Art Vandalay is:
Brandon Henry - acoustic guitar, electric guitar, vocals
Calvin Keasling - drums, shaker
Ben Cook-Feltz - piano, Hammond B3, Rhodes, harmony vocals
Drew Stevenson - bass, harmony vocals

Colin Monette - electric lead guitar ("Traffic," "Architects," "If You Love Me")
Rich Rue - electric lead guitar ("Back Agan," "Eye of the Beholder")

All songs written by Brandon Henry, 2021 © Easy Leisure Music, ASCAP, except "Angel & Delilah" by Eliza Gilkyson, 2002 © Gilkysongs, BMI, administered by Bluewater Music Services Corp.

"Never See You Again" written by Brandon Henry, 2021 © Easy Leisure Music, ASCAP and Jaspar Lepak, 2021 © Jaspar Lepak Music, ASCAP

Produced by Art Vandalay and John Miller
Recorded and mixed by John Miller at Future Condo Studios, Minneapolis, MN, March-May 2019

Mastered by Chris Frymire at Modern Minstrel

Album design and layout by Brandon Henry
Cover photo by Blair Pittman, courtesy National Archives, photo no. 26-G-3422

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Art Vandalay St Paul, Minnesota

Art Vandalay is a Twin Cities-based band that blends the vintage sounds of The Band and the easy-going vibe of J.J. Cale, creating laid-back Americana music with songs that are “impossibly catchy” (Duluth News Tribune).

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